Snookums and I were wondering yesterday about Daylight Savings Time. I mean, why put the clock forward an hour in the summer when it’s light all the time then anyway? Why not move it forward in the winter so it doesn’t get dark at 4:30 pm in London (like it bloody does now)? I’m happy to report that I found the answer, and it doesn’t have anything to do with “extra time to frolic on summer evenings.” It has to do with saving energy. Interesting…

As Kim pointed out a while back, Michael Jackson needs to get himself a good PR person who can make sure that his name and the word “child” never ever end up in another article together. Even when his intentions are noble, he still comes off sounding weird and scary.

Imagine my surprise, while reading Zannah‘s site, to come across another ninja reference! This one’s a humor piece entitled “How To Hide Your Ninja Lifestyle From Your Co-workers“.

Apparently some “ghostbusters” from Hertfordshire University have been poking around the vaults of Edinburgh. Though Snookums and I chickened out on our recent trip, I did do the Ghost Tour during a visit in 1998. It was the scariest experience of my life. I was such a wimp that the tour guide let me hold her only flashlight. I’m tellin’ you, there’s stuff down there. Seriously.

I just found an old Salon story about someone who was tapped for the “Skull and Bones” society I mentioned yesterday. The guy also slams Bush quite a bit, which is nice.

Roald Dahl’s “The Twits” is currently playing in London, so of course Snookums and I headed off to see the opening night performance Tuesday. I’m sorry to say that I was rather underwhelmed by the show. It seemed more like a Christmas panto than legitimate children’s theater. I could count on one hand the lines of text that actually survived from Dahl’s book, and those were mostly the insults that the Twits hurled at each other. The problem with dramatizing this story is that it was always a crude and confusing piece. One one hand you’re supposed to loathe the Twits and on the other you’re supposed to laugh at them. In the book, Quentin Blake’s manic scribbled illustrations hit the right tone and made the crude bits seem more cartoony and surreal. Playing it straight is not the right strategy for a stage adaptation, I fear. And, as with all the Dahl dramatizations I’ve seen lately, there was an emphasis on cheezy moralizing that wasn’t present in the original work. This production wanted us to feel sorry for the poor Mugglewumps, captured from the jungle and forced into degrading circus slavery, yet at the same time it urged us to laugh delightedly as the monkeys’ captors scratched their bums and farted. Needless to say, I didn’t enjoy it. (I do feel a bit guilty for saying that though, considering that Sadler’s Wells linked to my Dahl site. Oh well.)

Combating an “olfactory nuisance”: Apparently London Underground is going to start perfuming Tube stations. The idea originated in France, where the Metro has been “perfuming platforms for three years with Madeleine, a scent named after one of its smelliest stations.” Starting Monday, Euston, St James’s Park and Piccadilly Circus will hopefully smell of a “fresh watery floral bouquet of rose and jasmine combined with citrus top notes, giving way to strong woody accents and a hint of sweetness in the base” as opposed to the “earthy concoction of sweat, fast food and mouse droppings that is the real l’air du Tube.” I’ll give you a review as soon as I can.

Two positive foot-and-mouth related items today: the government’s chief scientific adviser said that the disease is now under control, and Calista Flockhart’s London stage debut has been postponed indefinitely, partly due to FMD’s effect on tourism. Hooray!

Roger Ebert says the new Crocodile Dundee movie isn’t great, but you could do worse. I also appreciated Ebert’s deft use of Australian expressions. (“Good on ya, mate!”) As a side note, why the heck is Ebert’s site so slow these days? Take my advice – if you actually get the main page to load, open all links in a new window. Otherwise you’ll never get back to the main page again.

Since I seem to get a lot of search requests for it, here’s my official Bejeweled Strategy Guide:

1. Always play on Level 2. It’s impossible to get a decent score on Level 1, and Level 3 is just too darn fast.
2. Getting a high score is less about making single matches and more about making combination moves. Always go for the combo-setup as opposed to the easy score.
3. Make vertical matches whenever possible. This allows for more pieces to fall and gives more opportunities for combo-scores. Matching a horizontal row means that the three rows fall together, and your chances of making another match are smaller.
4. Try working in only one area of the screen at a time, as opposed to jumping all over the place. I find I do better when I concentrate on a smaller area and get every possible match before moving on.
5. The time of day that you play can have a huge impact. If I play in the morning or after lunch when I’m “fresh”, my scores are much higher than when I play at the end of the day (with my brain fried from ten hours of work). Find the time that’s best for you.

I have to warn you though, my personal strategy seems to have a built-in score cap. While I have occasionally broken 10,000 points, 9 times out of 10 my score will hover in the 7000-9000 range. If that’s an improvement for you, go for it.